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百廟百門·數位神識|國際展演

當臺灣門神,登上國際數位藝術殿堂

十大傑出青年文化藝術類得主張逸軍,攜手TSJ與新銳數位藝術團隊仁山仁海藝想堂,將臺灣藝術帶至 奧地利林茲電子藝術節 & 義大利米蘭MEET數位藝術中心。
在國際新媒體藝術舞臺,說一個來自臺灣的故事

此次計劃以「百廟門」及「雲林張廖家廟崇遠堂」為核心,將臺灣藝術的保存與修復,匯聚於數位藝術的創新與再造;在數位光影交錯中,化身為承載時代記憶的「數位神識」。

ABOUT

百廟百門·數位神識

本作品結合傳統門神意象與數位藝術呈現方式。在臺灣文化中,門神象徵著守護與驅邪,而《數位神識》則將這種守護精神透過數位影像與表演的形式加以延續。在這個劇場式的空間裡,觀眾將看到一位表演者作為引領者,引導進入這個數位神祇的領域。透過影片和影像的手法,傳統的守護意象得以在數位時代中被重新詮釋和呈現。

在這個環境中,修復的意涵不僅在於形式上的延續,更在於讓參與者的身心在這個數位與表演交織的空間中得到修復與療癒。無論是走入傳統的廟宇,還是進入這樣的數位藝術空間,觀眾都能在過程中感受到跨時代的守護與精神的延續。

這是一場將經典帶入現代、促進社會共鳴以及國際共感的革新實驗。邀您一同見證,臺灣如何透過藝術文化與世界對話。

Digital Deities: The Spirit of Restoration
Rising in the Plate Shift: resist and flourish

(Text from the official release by MEET Digital Culture Center) This work blends artificial intelligence technology with the traditional iconography of Door Gods, protective deities who in Taiwanese culture are traditionally placed at doorways to ward off evil spirits, demons and bad luck, renewed every New Year’s Eve in a family purification ritual. The installation uses twin AI technology to merge the user’s face with that of the Door God, creating a personalized protective deity that faces the new threats of the digital age.

Digital Deities recognizes that while traditional threats (evil spirits, negative energies) persist, the contemporary era generates new vulnerabilities that require evolved spiritual protection: cyberbullying, digital identity theft, online manipulation, social isolation, information overload, existential anxieties related to climate change and geopolitical instability. The digital gateway becomes new sacred liminal space where the user can temporarily assume divine protective power, democratizing access to sacredness.

The work creates new myths appropriate to our digital age, narratives that give spiritual meaning to technology while maintaining the connection to ancestral wisdom through the preservation of traditional iconography, protective function and threshold ritual. It suggests that authentic spiritual protection lies not in form but in intention, allowing tradition to adapt and renew itself to serve contemporary needs without losing its transformative efficacy.

合作單位
◭ 百廟門藝術總監|TSJ Art Restoration
◭ 創作單位|張逸軍、何佳泓、藍科晨、劉子齊

展覽資訊

⫷ 奧地利 林茲電子藝術節
◭ 開幕演出|9/3,20:30
◭ 常態展出|9/3—9/7
◭ 地點|Deep Space 8K劇院


⫷ 米蘭 MEET 數位文化中心
◭ 開幕演出|9/10,18:30
◭ 常態展出|9/10—9/28
◭ 地點|MEET Digital Culture Center

百廟門企劃

SAVING DOOR GODS PROGRAMME, SDGP

TSJ團隊數年來修復完成50多扇重要門神,近年以「永續傳承在地文化經典」、「持續培育修復人才」為願景,開創臺灣第一個串連古蹟管理方、專業修復組織、贊助者、第三方修復監督機構,以及社會大眾公開對話的平台「百廟門企劃」,提升臺灣文物及藝術品修復標準,同時建立專業流程及規範。誠摯邀請各界共同參與,為臺灣修復人才的培育共盡一份心力,讓這片土地孕育的美好經典,「永續傳承」到下一代。

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